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Saturday, 18 February 2017
Croix de fer


Following the n+1 rule (see rule 12) I’m in the market for a new bicycle.

This afternoon I took this bicycle for a trial ride. I did some smooth tar and some bumpy bits but it was under 20 km in total and had no climbs. It’s not the exact model of the CdF that I am looking for, but the one I have my eye on will only be available for a test ride in a week or two. The bike is heavy (it is made of steel) but the rolling resistance on the (relatively) fat tyres was good. I would have liked to try some hills though! I’m quite happy with my current (carbon) “main” bicycle, but I am looking for something I can comfortably do 300 km per day on, over multiple days.

Posted by bigblue on 18/02/2017 at 08:05 PM
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Sunday, 12 February 2017
The North Downs


A lovely wintery afternoon for a walk up Reigate and Colley Hill, and there were lots of families out enjoying the fresh air.

Posted by bigblue on 12/02/2017 at 05:33 PM
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Sunday, 05 February 2017
Magdalena Abakanowicz


Magdalena Abakanowicz (born June 20, 1930, in Falenty, Poland) is a Polish sculptor and fiber artist. She is notable for her use of textiles as a sculptural medium. She was a professor at the Academy of Fine Arts in Poznań, Poland from 1965 to 1990 and a visiting professor at University of California, Los Angeles in 1984. Abakanowicz currently lives and works in Warsaw.

This photograph is from the Tate Britain, who write that:

Magdalena Abakanowicz began sewing three-dimensional objects with sacking, stockings, rags and rope in the 1970s.

These cocoon-like objects reflect Abakanowicz’s interest in biological systems, organic matter and regeneration, topics she discussed with scientists in her native Poland. In response to a commission to represent Poland at the Venice Biennale in 1979, she made hundreds of soft sculptures of varying shapes and sizes, ‘rounded like bellies, or elongated like mummies,’ as she described them. Abakanowicz collected old mattresses, clothing and sacks to create this ‘invented anatomy’ of forms and installed eight hundred in Venice under the title Embryology.

Made at a time of political tension between the Soviet Union and Poland, Abakanowicz has said the work ‘could be understood as a cry from behind the Iron Curtain’. She had come to prominence in the 1960s with a series of large woven sculptures called Abakans. At the time, the Polish state would not allow her to buy or rent a studio, so she made them on a loom in a friend’s basement, using sisal from discarded ropes. Without a large space in which to work she would often see her pieces in their entirety for the first time only when they were installed in exhibitions.

Posted by bigblue on 05/02/2017 at 05:43 PM
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Saturday, 04 February 2017
St Paul’s from Tate Modern


London looking so fine today, and hardly a breath of wind.

Posted by bigblue on 04/02/2017 at 05:29 PM
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